1638 East Berks Street, Philadelphia, PA 19125<\/span><\/div>
María Grand is a saxophonist, composer, educator, and vocalist. She moved to New York City in 2011. She has since become an important member of the city’s creative music scene, performing extensively in projects including musicians such as Nicole Mitchell, Vijay Iyer, Craig Taborn, Mary Halvorson, Jen Shyu, Fay Victor, Joel Ross, Steve Lehman, Aaron Parks, Miles Okazaki, etc. María writes and performs her original compositions with her ensemble, DiaTribe; her debut EP “TetraWind” was picked as “one of 2017’s best debuts” by the NYC Jazz Record and her full-length album Magdalena was praised by major publications such as the New York Times, Downbeat, JazzTimes, Billboard, JazzIz, and others. The New York Times calls her “an engrossing young tenor saxophonist with a zesty attack and a solid tonal range”, while Vijay Iyer says she is “a fantastic young saxophonist,
virtuosic, conceptually daring, with a lush tone, a powerful vision, and a deepening emotional resonance.”
María is a recipient of the 2017 Jazz Gallery Residency Commission, the 2018 Roulette Jerome Foundation Commission, and the 2019 Roulette Residency. She was nominated for the Jazz Journalist’s Association Up-And-Coming Musician of the Year 2018 and named the 2018 Newcomer Musician for the El Intruso 11th Annual International Critics Poll. As an activist in the performing arts, María is a founding member of anti-discrimination group the We Have Voice Collective. María is a member of Joel Ross’ Parables, has toured with Antoine Roney, and performs regularly with her own ensemble, as well as with RAJAS, led by Carnatic musician Rajna Swaminathan, and will tour in 2019 with Code Girl, led by Mary Halvorson. She has toured Europe, the United States, and South America, playing in venues and festivals such as WinterJazzFest and the Village Vanguard in NYC, La Villette Jazz Festival in Paris, Saafelden Jazz Festival in Austria, Millennium Park in Chicago, the Blue Whale in LA, IloJazz in Guadeloupe (FR), and many others.
From the Arkestra’s engine room, Jupiter Blue’s tone scientists D.Hotep and Jupiter Girl (Tara Middleton) emerge to reveal elements and precepts of another kind of language, another tomorrow, learned through years of discipline to be given freely in the present. Hotep’s own ARP (Akimbo Research Projects) develops through-composed and free-improvised performance based on sonification of pitch-sets derived from elemental particles. Expect the never-expected as electronics, electric guitar, celestial vocals, percussion, and violin call forth shadows of unseen worlds.